GENDER ASPECT OF ANNA AKHMATOVA'S LYRICS

Authors

  • Gudzina Victoria Anatolievna Senior Lecturer, Department of Russian Language and Literature, BSU

DOI:

https://doi.org/10.17605/OSF.IO/Y8Q5F

Keywords:

lyrics, poems, poetry, female view

Abstract

In the work of Russian poetesses of the 20th century, two main tendencies can be distinguished within the framework of which it develops: these are attempts to either imitate male poetry, or to illuminate precisely a special, female view of the problems typical of lyric poetry. This means that there are two poles - imitation of men and demonstration of female individuality. The first can undoubtedly include Marina Tsvetaeva, who even referred to herself as the Poet and by no means a poetess. Anna Akhmatova is in constant maneuvering between these two poles, so it is not possible to unambiguously assign her to one of them.

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References

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Жирмунский В. М. Анна Ахматова // pro et contra: в 2 т. – СПб: РХГА, 2001. Т.1. – С.144.

Кальян К.И. Интимная лирика Р.Катаевой и А.Ахматовой. Сопоставительный аспект // Вестник Харьковского национального педагогического университета имени Г.С.Сковороды, 2016. № 2. (57). – С.73.

Ходасевич В.В. «Женские» стихи // Собр.соч. Т.2. – М.: Худ.лит-ра, 1996. –С.210.

Цзоу Л. Психологизм любовной лирики Анны Ахматовой 1910-х – начала 1920-х годов. – М.: Флинта, 2020. – 201 с.

Цивьян Т.В. Ахматова и музыка // Russian Literature, 1978. № 10. – С.195.

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Published

15-04-2021

How to Cite

[1]
Gudzina Victoria Anatolievna, “GENDER ASPECT OF ANNA AKHMATOVA’S LYRICS”, IEJRD - International Multidisciplinary Journal, vol. 6, no. TITFL, pp. 83–86, Apr. 2021.

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Articles