SHIVA TEMPLE AT PAYAR — A ROMANCE IN STONE

Authors

  • Arif Ahmad Dar Scholar ‘History’ School of Arts and Humanities Career Point University Kota Rajasthan
  • Dr. Son Kunwar Hada Associate Professor ‘History’Dept. of Arts and Humanities

DOI:

https://doi.org/10.17605/OSF.IO/XJWQP

Keywords:

Shiva, Payar, Image, Temple, Stone, Sculpture

Abstract

The Shiva temple of Payar located at the castle of Karewa tableland is a jewel in stone. The temple consists of ten stones, is well preserved and speaks volumes about our architectural and sculptural glory. The monument is open on all the four sides and loomed by steps from eastern side. The temple consists of a double pyramidal roof with triangular pediments on all the four sides enclosing a trefoil arch. The eastern trefoil niche contains the image of Lakulisa. The deity is seated cross-legged on a wicker seat. At western trefoil niche is dancing Shiva in high relief. Six armed Shiva carries trident and khatvanga and dances to the tune of male drummer and female flute player. The trefoil niche on the northern side contains an image of three-headed Shiva.

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References

Koul. Anand. Pandit; 1935, Archaeological remains in Kashmir, Gulshan Pub., Srinagar, p- 71.

Fergusson James; 2012, History of India and Eastern Architecture, Low Price Pub., Delhi, Reprint, P- 268. Ibid.

Kak. C. R; 1933, Ancient Monuments of Kashmir, Gulshan Pub., Srinagar, p- 126.

Koul. Manohar; 1971, Kashmir-Hindu, Buddhist and Muslim Architecture, Sagar Pub., New Delhi, P- 53-4. Ibid. P-53-54.

Ibid.

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Published

2020-06-26

How to Cite

[1]
Arif Ahmad Dar and Dr. Son Kunwar Hada, “SHIVA TEMPLE AT PAYAR — A ROMANCE IN STONE ”, IEJRD - International Multidisciplinary Journal, vol. 5, no. ICIPPS, p. 3, Jun. 2020.

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