THE EARLY PERIOD OF CREATIVITY OF ASIA DJEBAR

Authors

  • Yahyokulova Nigora Shukhratovna Assistant of the Department of Uzbek Language, literature and foreign languages Samarkand Institute of Veterinary Medicine

DOI:

https://doi.org/10.17605/OSF.IO/K29VY

Keywords:

Assia Djebar, French-language writer, Bonjour Tristesse, La Soif, Françoise Sagan, autobiographical novel

Abstract

The approach of modern Algerian writers is based on a conscious relationship with the text, and for most of them, based on reality and an autobiographical project, which is often consistent with it, it goes beyond them. Assia Jabar, the first French-language writer to join the French Academy in 2005. Assia Jabar's work often begins with the individual, even with an autobiographical, to spark collective themes. She repeatedly depicted the situation of her generation, encountering the values ​​of two society and two cultures. In this article, we mainly focus on the first period of Assia  Djebar 's work.

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References

Djebar, Assia, La Soif, Paris, Julliard, 1957.

Dejeux, Jean, « Anthologie des Ecrivains Maghrebins d’expression francaise », Presence Africaine, Paris, 1964.

Dejeux, Jean, La litterature algerienne contemporaine, Presses universitaires de France,1975.

Dejeux, Jean, «La Soif d’Assia Djebar»,Paris,Cahiers Nord-Africains, «Regards sur la litterature maghrebine », n° 61, octobre-novembre 1957, p. 69- 71.

SAGAN, Francoise, Bonjour Tristesse, Paris, Julliard, 1955.

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Yаhyоqulоvа N. Sh «The mаin trends in the literаry prоcess in Frаnce in the secоnd hаlf оf the 20th century» JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 6, ISSUE 4, Apr. -2020

Yakhokulova N. Sh. «Algerian post-colonial literature» «RESULTS OF MODERN RESEARCH AND DEVELOPMENT-2020» Part – 1, 27th of April, 2020, p.87-92

Wolfgang Asholt, Mireille Calle-Gruber et Dominique Combe « Assia Djebar: litterature et transmission» Paris, Centre culturel international de Cerisy, Presse Sorbonne Nouvelle, 2010, p. 177-186

Michel Guggenheim « Françoise Sagan devant la critique », The French Review, Vol. 32, n°1, octobre 1958, p. 10

https://press.umsida.ac.id/index.php/icecrs/article/view/563/439

https://press.umsida.ac.id/index.php/acopen/article/view/404/265

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Published

2020-06-21

How to Cite

[1]
“THE EARLY PERIOD OF CREATIVITY OF ASIA DJEBAR”, IEJRD - International Multidisciplinary Journal, vol. 5, no. ICIPPS, p. 6, Jun. 2020, doi: 10.17605/OSF.IO/K29VY.

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