FOLKLORE AND ORAL-PROFESSIONAL MUSIC IN THE PIANO WORK OF COMPOSERS OF UZBEKISTAN. POPPY AS A BASIS IN THE WORKS OF COMPOSERS OF UZBEKISTAN AND STYLIZATION OF FOLK MELOS
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Published
Oct 16, 2021
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Abstract
The article examines the question of the implementation of the musical heritage of antiquity in the piano work of composers of Uzbekistan, who succeeded in creating piano music based on maqom and folk melos, transmitted orally through the teaching methodology "Teacher-student".
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
How to Cite
[1]
Azizova Nodira Akmal Kizi, “FOLKLORE AND ORAL-PROFESSIONAL MUSIC IN THE PIANO WORK OF COMPOSERS OF UZBEKISTAN. POPPY AS A BASIS IN THE WORKS OF COMPOSERS OF UZBEKISTAN AND STYLIZATION OF FOLK MELOS”, IEJRD - International Multidisciplinary Journal, vol. 6, no. 4, p. 4, Oct. 2021.
References
- Статья Н. Кадыровой М. И.-«Композиторы союзных республик», Москва 1976;
- Узбекская народная музыка, том I, II, V, IX.
- История Узбекской музыки. Составитель Т. Соломонова Москва, «Музыка»;